基督之名

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：

七年前，扎伊德与哥本哈根黑社会开战，为死去的兄弟报仇。他作为一名受人尊敬的心脏病医生和居家男人的身份只是一个逐渐消失的梦想，在监狱里，扎伊德失去了他几乎不认识的儿子诺亚。当一名警察探员向他提供了一份释放协议，以换取他渗透哥本哈根黑社会时，扎伊德看到了自己有机会夺回他留下的家庭生活的残余。但一切都有代价，扎伊德意识到他现在已经严重危及儿子的生命。毕竟，一旦成为黑社会的一部分，还有什么出路吗？

简介：

一个女人庆祝她40岁生日的方式是让她的三个最好的朋友来和她和她的丈夫一起度过一个长周末。这名妇女在过去两年中一直坐在轮椅上，这导致她把自己孤立在家里。她的丈夫陪在她身边，因为他对导致她坐上轮椅的车祸感到内疚。在为期三天的庆祝活动中，我们发现每个人都在为自己的生活和身份而奋斗。当一个最好的朋友犯了一个可怕的错误，在她的生日那天背叛了她，每个人都立即被迫不安地审视自己的生活和局限性。

简介：

童年时期的一个盛夏，女孩子面码（茅野爱衣 配音）死于意外。这件突如其来的死亡事件，深深刺痛了她的五个儿时玩伴——仁太、安鸣、雪集、鹤见子以及波波。六人组成的秘密基地“超和平Busters”就此解散，活着的五人带着无法弥补的创伤各自疏远各自长大。十年后，面码居然以一种只有仁太能看见的形式，带着一个想要实现的愿望回来了。

简介：1993年，山田洋次導演的《學校》在日本本土引起極大迴響，不僅贏得好評如潮，更在各大頒獎禮中獨領風騷。本片乃日本庶民劇大導演山田洋次「學校」系列的第三集，今次的舞台設於職業訓練學校。十年前，小島紗和子的丈夫因過勞而去逝，遺下了一個患有自閉症的兒子富美男，紗和子獨力將他養大。當她被公司解僱後，為取得新工作，她唯有進行職業再培訓，到職業訓練學校進修，希望可以過新生活。在學校裡，紗和子認識了剛被一所大企業解僱的高野周吉。某日，他寄了一本書給她，開始了二人戀情的第一步。

简介：Garrett is a rising YouTube star. Shell is a deeply emotional fan. When they begin a romantic relationship, he's forced to question whether opening your life to strangers online is an invitation to community and rescue...or to stalking, obsession and madness.

简介：比尔（艾伦·艾克哈特 Aaron Eckhart 饰）不知道自己的生活怎么会沦落到如此的地步。在岳父所经营的银行里，他是个毫不起眼没有前途的小小职员，在本该温馨和幸福的家庭里，妻子杰斯（伊丽莎白·班克斯 Elizabeth Banks 饰）对自己的郁郁不得志毫不关心，反而和新闻主播齐普（蒂莫西·奥利芬特 Timothy Olyphant 饰）大搞暧昧关系。再看看自己，硕大的肚腩和令人感到不安的发际线，一切的一切都让他失去了对生活的期望。　　一次偶然中，比尔结识了神秘的少年（罗根·勒曼 Logan Lerman 饰）和美艳的内衣销售露西（杰西卡·阿尔芭 Jessica Alba 饰），在两人的鼓励和帮助下，比尔重拾了信心，决定要从内到外，来一次彻彻底底的大改变。

简介：艾玛（梅根·福克斯饰演）因为不可告人的秘密被她丈夫发现，从而陷入了其丈夫精心策划的一个复仇乱局。丈夫用手铐将艾玛和自己拷在一起，并在她面前开枪自杀。之后的所有一切，似乎都没有办法逃脱其丈夫死前的算计。

简介：当一个男人爱上一个订婚的女人时，他决定设计一个计划－回到过去在她遇见她未来丈夫之前追到她，透过他的才智与金钱，配合科学家教授多年来的研究，他将回到过去抢得先机，一旦回到过去，他会发现爱总是在他意想不到的地方…

简介：前警视厅搜查一课刑警高仓（西岛秀俊 饰），在一次意外后转行成为某大学犯罪心理学教授。不久前，他和妻子康子（竹内结子 饰）搬到新家居住。不过新家周围的邻居似乎过于冷漠，特别是姓西野（香川照之 饰）的男子，总感觉拒人千里之外。当然不久后西野便向高仓夫妇展现他们友好的一面，这让鲜少与人交流的康子颇感欣慰。与此同时，高仓和搜查一课的旧同事野上（东出昌大 饰）对一桩三人失踪案展开调查。随着不断地深入，他们发现了令人震惊的事实。黑暗不断吞噬着试图接近它的人，高仓回首望去，惊讶地意识到从搬到新家开始，他便不知不觉落入了贪婪蚁狮所精心布下的死亡陷阱……　　本片根据前川裕的同名原作改编。

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：奎因·阿克曼（塞布丽娜·卡彭特饰）能否进入梦寐以求的大学取决于她在舞蹈比赛中的表现，于是，她带领形形色色的同学组建了一支舞蹈队，来挑战学校里最好的舞团。现在她需要做的就是学习如何跳舞。